The combination of reduced enzyme activity, slower liver function, and potential medication interactions can all add up, making your body more sensitive to alcohol. You head out with friends, expecting the usual fun night, but instead, one drink leaves you flushed, nauseous, or struggling to breathe. This kind of reaction is nose stuffy after drinking alcohol far from your typical experience, and now you’re left wondering why your body is suddenly unable to handle something it has always tolerated. Alcohol intolerance occurs when your body doesn’t have the proper enzymes to break down (metabolize) the toxins in alcohol.
Your descent may also have to do with that because those belonging to Asian countries face more of such problems leading to nasal inflammation on drinking alcohol. While talking about the breaking down of alcohol in body, there is an enzyme called as aldehyde dehydrogenase (ALDH). But alcohol tolerance is more complicated than just being “a lightweight” or not. In fact, alcohol intolerance is a metabolic disorder that doesn’t have anything to do with how many drinks you can down before your beer goggles switch on. As it turns out, understanding your alcohol-induced stuffy nose starts with understanding how your body processes alcohol — or tries to, anyway.
Gustatory rhinitis is the medical term for a runny nose or sneezing you may get after you eat hot or spicy foods. It’s a type of nonallergic rhinitis, where your nose gets inflammation but not because of an allergy. If you develop symptoms after drinking alcohol, make an appointment with your doctor. Depending on your symptoms, they might refer you to an allergist for testing and treatment. An allergist is a special type of doctor that focuses on allergic conditions.
However, this term is both potentially offensive and not entirely accurate. If the allergic reaction is more severe, people may require epinephrine, also known as an EpiPen. A person with severe allergies should carry one with them at all times, in case of a serious allergic reaction. Depending on the allergy severity, a person may treat symptoms with over-the-counter medications, such as oral antihistamines, if the reaction is mild. Depending on whether a person has an alcohol allergy or intolerance, they may need to avoid alcohol entirely. The enzyme diamine oxidase breaks down histamine that people consume from foods and beverages.
If they suspect you have a true allergy to alcohol or another ingredient in alcoholic beverages, they will likely conduct allergy testing. The most common type of allergy testing is the skin prick test. During a skin prick test, your doctor will use a lancet to prick or scratch your skin. They will apply a drop of allergen extract to the pricked or scratched area.
Some people take Pepcid to reduce their flush reaction and manage other symptoms of alcohol intolerance, but this approach is not recommended. Now that you know the causes of stuffy nose on drinking alcohol, you need to be aware of the possible treatment options to get rid of the stuffy nose. Some allergies develop over time and when it comes to alcohol, few things are bound to occur. While talking about the consumption of alcohol, you need to watch out for the gradual development of the nasal infections. Initially, it may not bother much, but eventually the nasal mucus can get thicker, causing more problems. If you are wondering why the nose gets stuffy on drinking alcohol, you have reached the right place.
A skin prick test should take place in a medical setting in case of a severe allergic reaction. There are several ways for a doctor to diagnose an alcohol allergy or intolerance, including the approaches below. If a person thinks they have an alcohol allergy, they should eliminate alcohol from their diet and consult with a healthcare professional.
The amounts of histamine vary between wines, but generally, there is more histamine in red than white wine. Alcohol allergy symptoms can range from mild, such as an itchy mouth or eyes, to severe, including vomiting or anaphylaxis. Alcohol acts as a diuretic, meaning you lose increased amounts of body water through your kidneys. This can potentially lead to dehydration with increased thickness of the mucus in your nose and sinuses that might lead to congestion. You had a long week, and you opened that bottle of wine to help you relax — but instead you wound up with a stuffy nose you now have to deal with. It doesn’t happen to everyone, but those who do get congested after a glass or two know just how much of a buzzkill it can be.
Allergic reactions that involve hives, wheezing, and chest pain can occur almost immediately. They should be considered severe and potentially life-threatening. If you experience these symptoms, you should seek immediate medical attention.
Posted: October 5, 2023 12:11 pm
The issue of taksu is also one of honesty, for the artist and the viewer. An artist will follow his heart or instinct, and will not care what other people think. A painting that has a magic does not need to be elaborated upon, the painting alone speaks.
A work of art that is difficult to describe in words has to be seen with the eyes and a heart that is open and not influenced by the name of the painter. In this honesty, there is a purity in the connection between the viewer and the viewed.
As a through discussion of Balinese and Indonesian arts is beyond the scope of this catalogue, the reader is referred to the books listed in the bibliography. The following descriptions of painters styles are intended as a brief introduction to the paintings in the catalogue, which were selected using several criteria. Each is what Agung Rai considers to be an exceptional work by a particular artist, is a singular example of a given period, school or style, and contributes to a broader understanding of the development of Balinese and Indonesian paintng. The Pita Maha artist society was established in 1936 by Cokorda Gde Agung Sukawati, a royal patron of the arts in Ubud, and two European artists, the Dutch painter Rudolf Bonnet, and Walter Spies, a German. The society’s stated purpose was to support artists and craftsmen work in various media and style, who were encouraged to experiment with Western materials and theories of anatomy, and perspective.
The society sought to ensure high quality works from its members, and exhibitions of the finest works were held in Indonesia and abroad. The society ceased to be active after the onset of World War II. Paintings by several Pita Maha members are included in the catalogue, among them; Ida Bagus Made noted especially for his paintings of Balinese religious and mystical themes; and Anak Agung Gde Raka Turas, whose underwater seascapes have been an inspiration for many younger painters.
Painters from the village of Batuan, south of Ubud, have been known since the 1930s for their dense, immensely detailed paintings of Balinese ceremonies, daily life, and increasingly, “modern” Bali. In the past the artists used tempera paints; since the introduction of Western artists materials, watercolors and acrylics have become popular. The paintings are produced by applying many thin layers of paint to a shaded ink drawing. The palette tends to be dark, and the composition crowded, with innumerable details and a somewhat flattened perspective. Batuan painters represented in the catalogue are Ida Bagus Widja, whose paintings of Balinese scenes encompass the sacred as well as the mundane; and I Wayan Bendi whose paintings of the collision of Balinese and Western cultures abound in entertaining, sharply observed vignettes.
In the early 1960s,Arie Smit, a Dutch-born painter, began inviting he children of Penestanan, Ubud, to come and experiment with bright oil paints in his Ubud studio. The eventually developed the Young Artists style, distinguished by the used of brilliant colors, a graphic quality in which shadow and perspective play little part, and focus on scenes and activities from every day life in Bali. I Ketut Tagen is the only Young Artist in the catalogue; he explores new ways of rendering scenes of Balinese life while remaining grounded in the Young Artists strong sense of color and design.
The painters called “academic artists” from Bali and other parts of Indonesia are, in fact, a diverse group almost all of whom share the experience of having received training at Indonesian or foreign institutes of fine arts. A number of artists who come of age before Indonesian independence was declared in 1945 never had formal instruction at art academies, but studied painting on their own. Many of them eventually become instructors at Indonesian institutions. A number of younger academic artists in the catalogue studied with the older painters whose work appears here as well. In Bali the role of the art academy is relatively minor, while in Java academic paintings is more highly developed than any indigenous or traditional styles. The academic painters have mastered Western techniques, and have studied the different modern art movements in the West; their works is often influenced by surrealism, pointillism, cubism, or abstract expressionism. Painters in Indonesia are trying to establish a clear nation of what “modern Indonesian art” is, and turn to Indonesian cultural themes for subject matter. The range of styles is extensive Among the artists are Affandi, a West Javanese whose expressionistic renderings of Balinese scenes are internationally known; Dullah, a Central Javanese recognized for his realist paintings; Nyoman Gunarsa, a Balinese who creates distinctively Balinese expressionist paintings with traditional shadow puppet motifs; Made Wianta, whose abstract pointillism sets him apart from other Indonesian painters.
Since the late 1920s, Bali has attracted Western artists as short and long term residents. Most were formally trained at European academies, and their paintings reflect many Western artistic traditions. Some of these artists have played instrumental roles in the development of Balinese painting over the years, through their support and encouragement of local artist. The contributions of Rudolf Bonnet and Arie Smit have already been mentioned. Among other European artists whose particular visions of Bali continue to be admired are Willem Gerrad Hofker, whose paintings of Balinese in traditional dress are skillfully rendered studies of drapery, light and shadow; Carel Lodewijk Dake, Jr., whose moody paintings of temples capture the atmosphere of Balinese sacred spaces; and Adrien Jean Le Mayeur, known for his languid portraits of Balinese women.
Agung Rai feels that
Art is very private matter. It depends on what is displayed, and the spiritual connection between the work and the person looking at it. People have their own opinions, they may or may not agree with my perceptions.
He would like to encourage visitors to learn about Balinese and Indonesian art, ant to allow themselves to establish the “purity in the connection” that he describes. He hopes that his collection will de considered a resource to be actively studied, rather than simply passively appreciated, and that it will be enjoyed by artists, scholars, visitors, students, and schoolchildren from Indonesia as well as from abroad.
Abby C. Ruddick, Phd
“SELECTED PAINTINGS FROM THE COLLECTION OF THE AGUNG RAI FINE ART GALLERY”